Posted on Leave a comment

Jerry’s ‘Tiger’ Guitar

Jerry Garcia (Grateful Dead) had about 25 guitars, but 70% of his time in the spotlight he played just 3, all custom built by the same luthier Doug Irwin (Sonoma, CA). Doug worked at Alembic guitars for a year and half or two. The guitarmaker spent more than six years working on it, result: Garcia’s favorite guitar for the next ll years & most played. He played the heavy 14-pound guitar for 11 years.
Irwin mixed exquisitely detailed, intricate brass work with dense, exotic hardwoods in his designs. He also incorporated a lot of special features Garcia himself devised, like a loop that ran the signal back through the guitar so he could control his special effects with knobs on the body of the guitar or a built-in pre-amp hidden beneath Irwin’s inlays. “Jerry knew more about his guitars and equipment than anyone,” said Parish. After a Roland synthesizer was successfully attached to Wolf, Tiger went back to the shop for retrofitting. Garcia used the synthesizer attachment to make his guitar sound like a trumpet or other instruments.

In 1990 Garcia changed guitars when Irwin completed “Rosebud” named for the inlaid dancing skeleton on the ebony coverplate. Lighter than the Tiger, it became his fulltime Dead guitar, but he used the Tiger in the JGB for a another year. Tiger and Wolf were named for the exquisite mother-of-pearl and ivory inlaid animal images Doug Irwin created This image has an empty alt attribute; its file name is erikjerrygitaar.jpgon the guitar bodies. After Jerry’s death, the guitars returned to Doug Irwin, the master guitar maker who’s work Jerry Garcia so admired. In his will, Garcia left the guitars to Mr. Irwin who had devoted many years of his life creating them. Irwin sold his guitars, the Tiger and the Wolf, at auction on May 8, 2002. The Tiger was purchased by Jim Irsay for USD 850,000.


There’s a bootleg where Ryan Adams explains that he went to the Hall of Fame and saw Garcia’s guitars hence the lyric: “Rosebud shipwrecked up on the Ohio, behind a Wall of Glass, telling me to take care of myself, and my friends”.

Posted on Leave a comment

Slowly But Surely

Slowly But Surely

Lyrics: James Booker
Music: James Booker

James Booker with Jerry Garcia – Palo Alto Rehersals (1976)

Jerry Garcia – guitar, vocals
John Kahn – bass
James Booker – piano, vocals
Ron Tutt – drums

I couldn’t find this song on YouTube so I had to post it here myself. No copyright … intended, it’s just for bringing a little joy in your heart. Played by James Booker, one of New Orleans’ true piano geniuses, with the Jerry Garcia Band in Jan 1976. The title in some lists is “Right Back Together” but the correct title is “Slowly But Surely”

Play on YouTube

Jerry’ s guitar picking and James Booker’ s piano playing match perfectly. And the song is so optimistic. Just a perfect soundtrack for a long drive at night to a far and foreign country… A big thanks to whoever recorded this jam session! The Piano Prince released only five official LPs of music during his lifetime. one of New Orleans’ true piano geniuses who died On November 8, 1983, only 43 years old, after taking a deadly dose of bad quality cocaine.


Lyrics

You know the world keeps going on around and round
And slowly getting back together
I know it’s getting right back together right now
Sun’s got the world going round and round
As though they’re getting back together
I know it’s getting right back together right now

There is a great big plan
It’s greater than superman, as great a superman
Tell you no lie, [’cause here is superfly, ooperfly]
Keeps the world running round and around and round
Slowly getting back together
I know it’s getting right back together right now

Well dead and gone, I may be dead and gone
Just helping the ground rotting
Yeah but the truth will live on
It never be forgotten
Oh but the birds and the ants
I know the trees and plants
They’re gonna bring me all the news
It won’t be no use, it won’t be no use
Because the world still be going on around and round
And slowly getting back together
I know it know it’s going to get back together, slowly but surely
Right back together now

[spoken]
This song here, “Slowly But Surely”, I dedicate this to my aunt down
in Bay, St Louis, Bessie, my aunt Bessie, she inspired this you know,
she inspired the title, ’cause she used to say that all the time,
“Slowly But Surely”, and she used to say this, she said…

Posted on Leave a comment

“Once we’re done with it, the audience can have it.”

Article from the New Yorker, nov. 2012.

The Grateful Dead occupy a curious spot in the canon. Their music has turned out to be extremely resilient, considering that they were primarily a live act and effectively ceased to exist seventeen years ago, when Garcia died, and that for many of the years prior to that (how many is just about the most debated question in Deadland) they were a weak incarnation of themselves. They made a lot of studio albums, but few memorable ones, and had just one Top Forty hit in thirty years, and not for lack of trying. Yet it’s probably safe to say that the Dead have more recorded music in circulation than any performing group in history.

From their establishment, in 1965, to the death of Garcia, in 1995, they played 2,318 concerts, and more than two thousand of those are available in some form or another.

The band has released a hundred archival concert recordings, under various rubrics, but they also often (though not always) tolerated the taping of their concerts by people in the audience, as long as the tapes were traded, not sold.

As Garcia said, “Once we’re done with it, the audience can have it.”

http://www.newyorker.com/reporting/2012/11/26/121126fa_fact_paumgarten